a relationship that I have revisited since loading a bunch of CBRs onto my gizmo, ready for reading without un-pollybagging my old issues.
back when I first laid hands on my new gizmo and took it to the Lake District with me, I powered my way through Contagion and Legacy, two back to back Batman arcs that spanned the Dark Knight Detective's titles and various spin-offs.
from what I can remember now, Contagion was so-so, and Legacy was marginally better due to the returning threat of Rās Al Ghūl, his daughter Talia and the reveal of her new suitor as Bane, making a welcome return but becoming an ultimately squandered character, since he could never really replicate the impact made since his debut in the Knightfall event.
And the problem was that after such wide spanning, multi-issue, crossing-over, behemoth storytelling that had spun Knightfall into two separate strands of Knightsquest and the seemingly concluding chapter of KnightsEnd, the last thing Batman fans really needed was another all encompassing threat to the comics world and to wallets.
which was exactly what Batman fans got when the KnightSaga span off into the rather oddly timed Prodigal and the runt of the litter Troika, which I have just finished re-reading.
very briefly, Prodigal deals with the fallout of KnightsEnd and the return of Bruce Wayne to the mantle of the bat, who then very swiftly hands it over to Dick Grayson, former Robin. Rendering the climactic climax of KnightsEnd slightly anti-climactic. After this 12 parter, Bruce Wayne comes back proper, unveiling a new batsuit (black, rather than blue and grey, and kind of pointless) and tackling Russian criminals running around being a bit rubbish all over four separate bat-titles with collectors edition embossed covers.
And that was that really, these flailing add-ons that did little to shake things up following such whopping, game-changing and era-defining cross-overs.
It was the age of comics that dragged me in, entertained and enthralled me, but to be absolutely honest... it did have a number of lows lumped in with all those highs.
The 90s was a boom era for new comic books, new artists and new tricks, I still have such a fondness for those days gone by, the regular trips to Barnet or Tottenham to stock up and get my comics fix for the week, yet all the sugar coating in the world won't change the fact thatTroika was perhaps really over stretching the gimmicks, the crossovers, and the reader's patience at the time.
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