hail to the underdog

last night, as i finished up Starman Omnibus Vol.1 and read James Robinson's lengthy and enlightening afterword, i was reminded of a quote

i wasn't entirely sure who had said that 'history is written by the winners' (i guess it could have been Shakespeare), but it seemed entirely appropriate as i read the rambling thoughts of Robinson, as he regaled his journey that lead him to the acclaimed run on the '90's incarnation of Starman and the paths he had crossed

and as thought of my own embryonic ideas for a potentially acclaimed comic stories came to mind, and if i will ever actually get round to fully developing my fantastical whims, i also gave thought to how many other stories of creatives have also gone unheard, all those also-rans and ne'er-do-wells that never got to claim the spoils of victory or tell their tales


and it was this mentality that drove me to write my piece on Flo Kirton for the Enfield Advertiser, to give a voice to someone on the other side of the music industry, since your Qs and NMEs are already clogged up with the bands and artists that have made it  and your 'hot tips'

but what happens when the 'next big thing' doesn't get 'big'?

i want my columns to give a different scope from your usual music journalism, of course in a local paper i give a lot of time to local bands, it would be stupid not to, and there are many deserving bands knocking around Enfield, but so much is made of this fantastic future that we're living in, where more and more is available to us, that i want to expose the cracks in this ideal... just because the NME is telling you that 'the next big thing' recorded all their demos in their bedroom, it doesn't mean that Joe Goddard will be knocking down your door wanting to turn you into a popstar just because you own a PC and a little bit of music software

and you'll also find me dipping my toe into the other end of the spectrum, with a recent column on Cheryl Cole and a work in progress on Kanye West, and possibly a sideways glance at Justin Bieber.

but keep your eyes peeled for pieces on my agenda covering The Freewheelin Troubadour, 9BlinD and Deeds of the Dying and a look at the recording habits of Those Handsome Animals and Akira the Don, who recently unleashed a killer mixtape in conjuction with Joey 2tits as he builds towards the release of his second album proper.

 Pyke by Akira The Don stream only
available on the mixtape 'the kidnapping of Akira The Don By Joey 2tits'

bedroom antics.....

last december, in my first ever review for the Enfield Advertiser i brought you a review of a band i was extremely excited about.

sadly, Flamboyant Bella promptly imploded in the early part of 2010 when the male 3/4s of the band decided to take a break from rock star shenanigans in favour of furthering each of their respective educations.

Which left Flo Kirton with no band.

what didn't leave Flo was a passion to continue making music, which saw her experimenting with self-production, solo compositions, seeking collaborators and trying to avoid getting a real job.

playing a crucial contributing role within 'Flambo', Flo found herself with complete creative control of her output, but has found it hard keeping herself motivated without the structure of conventional band practises.

working from her bedroom recording demo tracks with a small set up of a PC and Logic studio has put Flo in the same position as so many other people out there that are hoping to break into the mainstream and make a name for herself, but has found that the reailty of affordable recording equipment and an over saturated internet music culture is leaving her jaded.

'Due to the new-found accessibility in entering the music industry, i'd say it makes it all the harder for a small town girl to make any impact at all these days. After all, everyone knows it's who you know, not what you know..' she told me.

and going from a treasured indie-pop band that were flirting with the prospect of stardom to being a girl that signs on every week, struggles with crashing software stunting her creativity and still dreams of 'making it' has seen a sense of cynism and bitterness creeping into Flo's songwriting  and also had an adverse effect of her views of the industry and her outlook of the world.

'Although i'm only 20, because of how young i was when stuff with Flamboyant Bella peaked, it's easy to feel like i've had my time to shine. I can only hope that how bitter i've become, will spur me on to better things, because one thing i have learnt is to not trust, rely on or try to make friends with 90% of the industry, 'cos all they tend to care about anymore is money and name-dropping.'